#Stamitz flute concerto g major pdf pdf#
#Stamitz flute concerto g major pdf code#
#Stamitz flute concerto g major pdf series#

The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo. Tape configuration not applicable Tape width not applicable Wolfgang Amadeus Mozart: Flute Concerto in G Major KV 313: Flute: Instrumental. A concerto of classical elegance, cantability and virtuosity. Publisher number 886445145557 Quality assurance targets unknown Reformatting quality unknown Sound sound Special playback characteristics digital recording Specific material designation

#Stamitz flute concerto g major pdf pdf#

Download pdf stamitz, op.29 flute concerto o0mzvemnywld.

#Stamitz flute concerto g major pdf code#

File format unknown Form of item online Groove width / pitch not applicable Kind of cutting not applicable Kind of disc cylinder or tape not applicable Kind of material unknown Level of compression unknown Media category computer Media MARC source rdamedia Media type code Flute concerto in g major alt ernative- title composer stamitz carl philipp. Dance of the blessed spirits / Christoph Willibald Gluck (7:35) DimensionsĮxtent 1 online resource (1 audio file). 29 / Carl Stamitz (16:14) - Concerto in E minor for flute, strings, and basso continuo / Franz Xaver Richter (19:50) - Flute concerto in G major / Johann Stamitz (13:09) - Flute concerto in D major, Badley D1 / Leopold Hofmann (19:26) - Orfeo ed Euridice.

b flat major c stamitz flute solo rondo from flute concerto no 2 in d major. Discount prices on books by Carl Stamitz, including titles like Stamitz. Label Flute concertos, Stamitz, Richter, Haydn, Gluck InstantiatesĪntecedent source unknown Capture and storage technique unknown Carrier category online resource Carrier category codeĬarrier MARC source rdacarrier Color not applicable Configuration of playback channels unknown Content category performed music Content type codeĬontent type MARC source rdacontent Contents Flute concerto in G major, op. May 31st, 2020 - cello concerto in d major g 478 cello orchestra score and. Transposition and arrangement not applicable PerformerNote Barthold Kuijken, Claire Guimond (5th work), transverse flute Tafelmusik, on period instruments Jeanne Lamon, music director Place of event Centre in the Square, Kitchener, Ontario, Canada

Concertos (Flute with string orchestra)Īccompanying matter technical information on music Cataloging source NAXOS Credits note Producer, recording supervisor, Wolf Erichson recording engineers, Stephan Schellmann, Andreas Neubronner editing, Andreas Lemke, Stephan Schellmann Date of event 1991 January 20-23 įorm of composition multiple forms Format of music not applicable Music parts not applicable Other event information Recorded.

Gluck, Christoph Willibald, Ritter von, 1714-1787.

Still, spaciously recorded, these lively and charming pieces should give pleasure.Label Flute concertos Title Flute concertos Statement of responsibility Stamitz, Richter, Haydn, Gluck Contributor Carl’s style, however, is closer to early Mozart, with the same fluent command of the galante conventions of the day, if less memorable in ideas and with a certain reluctance to stray far from the home key. Equally deft are the accounts of the two concertos by Carl Stamitz, vastly prolific son of pioneering Mannheim symphonist Johann Stamitz. 100.īut he also made sure that, given the less-than universal availability of Lira Organizzatas, the solo parts could be played by flute and oboe, as they are here with bright elegance by Ana de la Vega and Ramón Ortega Quero, with the crisp horns, strings and continuo of the Trondheim Soloists, lead by Geir Inge Lotsberg.

#Stamitz flute concerto g major pdf series#

Far from discouraged by the oddity of the task, Haydn came up with a series of divertimento-like miniature three-movement concertante symphonies, surprising and inventive enough to recycle material from in later works – the Romance movement of the G major Concerto proves to be a pre-run of the slow movement of his ‘Military’ Symphony No. Although wheezy in tone and limited in the range of tonalities it could encompass, it was the favourite instrument of King Ferdinand IV of Naples, who played the thing himself and in 1786 commissioned Haydn to supply a set of concertosfor Lira duet and chamber orchestra.

The Lira Organizzata was a curious 18th-century keyboard contraption combining a hand-cranked hurdy-gurdy with a rank of small organ pipes.